Projects:
Her
interest in web.art started in 1997. She created and publishes arteonline.arq.br
which, since July 2001, is called The Museum of the Essential
and Beyond That. She believes that one of the good characteristics
of globalization is it allows the exchange of national and international
artistic experiences.
2001
- Creation of the "Library of Marvels" - "work in progress"
and colection of electronic interactive ebooks. Content of the library:
"
The Black and the White, Reflections on fog (2001).
Review by Jorge Luiz Antonio (Brazilian, poet, writer, researcher,
and teacher)
http://www.uoc.edu/in3/hermeneia/
http://arteonline.arq.br/arteonline4/bnegro/resenha.htm
http://digitalmedia.upd.edu.ph/
http://directory.eliterature.org/
"
Book of Sand (2001).
http://directory.eliterature.org/
http://www.a-virtual-memorial.org/memorials
"
The psychiatrist the net.art / web.art and other stories (2002).
www.newmediafest.org/rrf/
http://directory.eliterature.org/
"
The Newest Song of Exile : Sabiá Virtuality (2003).
http://www.cartodigital.org/interactiva
http://www.macay.org
* Viewing
Axolotls (2004)
http://arteonline.arq.br/viewing_axolotls
Todos
os livros em:"
http://arteonline.arq.br/library.htm
" http://www.netzwissenschaft.de/kuenst.htm
" http://electrokin.com/zabriskie_point/netart.htm
" http://web.pdx.edu/~pdx00282/cew/cew.htm
e em: http://www.artcogitans.com
2002 - Creation of http://arteonline.arq.br
where is placed the Museum of the Essential and Beyond That.
What
is the Museum of the Essential and Beyond That?
This
project consists of the creation of virtual architectures: a museum
with its libraries and galleries that have no brick-and-mortar counterparts.
It is common for real museums and libraries to have websites, but
the process underway in our "museum" is rather uncommon.
A museum that does not exist in the real world, and whose architecture
and collections are formed by a string of digits: 01010101. Is it
just an electronic clearinghouse for bits and bytes?
justifying
the beyond that in its name, is fast becoming a cultural center where
a mouse click offers both a museum and a place for creation and communication
where the visual arts are joined by music, filmmaking (animation),
poetry, books and audiovisual research. "This characteristic
is related to the aim of modern-day art, which is to embody in its
works certain new forms of beauty that could only emerge through the
reconvergence of all techniques" [8] and technologies... Since
its inception, at the Museum of the Essential and Beyond That, this
reconvergence has been present in its watchwords: communication, information,
multidisciplinarity, multiculturalism and mobility. Science and technology
embracing art to protect it and give it the necessary conditions for
life and growth.
The
Museum of the Essential and Beyond That have participated:
>
2002 - 5th International Conference on Generative Art 11-13 December
2002, Politecnico di Milano University, Milan, Italy
http://www.generativeart.com
>2003
- Andrews, Jim (Toronto); PINTO, Regina Célia (Rio de Janeiro);
THORINGTON, Helen (New York); SIMANOWSKI, Roberto (Berlim); Paterson,
Nancy (Toronto)
"Paris Connection" - uma nova forma de crítica de
arte.
Cinco produtores de diferentes partes do globo conectaram-se através
dos mais diferentes meios com um grupo de artistas franceses de alta
voltagem criativa para conhecê-los melhor e apresentar as suas
admiráveis formas de arte construídas com algoritmos.
http://www.arteonline.arq.br/Paris
>
2003 - Segundo Encontro de arte Experimental de Madrid Mad 03 Net
(24 - outubro / 16 - novembro - rewarded
More
works "on line":
2002
- PINTO, Regina Célia
Homage to Goya
http://arteonline.arq.br/goya.htm
http://www.javamuseum.org
2003 - Pinto, Regina Célia
Paris / Rio de Janeiro Gallery(work in progress)
http://arteonline.arq.br/Paris/galeria.htm
2003 - PINTO, Regina Célia
Taste the Peace
http://arteonline.arq.br/museu/poesiadigital/regina2.htm
2003
- PINTO, Regina Célia
Olympia Matrix
http://www.escaner.cl/netart/call/regina/regina.htm
Colab
projects:
2003
- Pinto, Regina Célia; Frazão, Marcelo e Villela, Paulo
Sete Demonios Tinham Saído
http://arteonline.arq.br/pecadoscapitais
2003
- PINTO, Regina Célia & ANTONIO, Jorge Luiz.
Lake Sea Somewhat Boat Rain
http://www.ociocriativo.com.br/lagoalgo
2003 - PINTO Regina Célia e DANIELS, David
SAADI1
http://arteonline.arq.br/museu/poesiadigital/saadi/intro.htm
2003 - PINTO, Regina Célia e SONDHEIM, Alan e
Ice Landscape and Tropical Landscape
http://arteonline.arq.br/museu/poesiadigital/regina1.htm
2002 - PINTO, Regina Célia e STRASSER, Reiner
Project Attic
http://arteonline.arq.br/museu/attic/introattic.htm
2002
- PADÍN, Clemente; ANTONIO, Jorge Luiz e PINTO, Regina Célia
CD-ROM The New Padin's Spams Trashes , with Clemente Padin e Jorge
Luiz Antonio. (Inglês, Espanhol e Português)
2002
- STRASSER, Reiner e outros
Project Hope, http://nonfinito.de/hope/,
2001
- The black and the White, reflections on fog.
Digital Media Festival DMF2002
Coordenated by Fatima Lasay, College of Fine Arts, University of the
Philippines
http://digitalmedia.upd.edu.ph/
2001
- The black and the White, reflections on fog.
"II Mostra Interpoesia, a poética das hipermídias",
Universidade Presbiteriana Mackenzie, SP, curated by Professor Wilton
Azevedo